BIBLIOGRAFÍA

1. Microsoft ® Encarta ® 2007. © 1993-2006 Microsoft Corporation. Reservados todos los derechos.
2.http://es.wikipedia.org/wiki/Deconstructivismo
3.www.Artehistoria.com

ZAHA HADID

SHE IS AN ARCHITECT AND DESIGNER, BORN IN BAGDAD AND SHE WAS EDUCATED IN LONDON IN THE ARCHITECTURE ASSOCIATION. WHEN SHE WAS GRADUATED SHE BEGINS TO TEACH IN THE SAME ARCHITECTURE ASSOCIATION AND SHE PRACTICED A FORM OF SINGULAR ARCHITECTURAL GRAPH. THANKS TO THEIR PERSONALITY TODAY SHE IS RECOGNIZES AS ONE OF THE BIG ARCHITECTS OF OUR TIME.
THEIR ARCHITECTURE IS CHARACTERIZED BY A STRONG PROPOSAL WITH A FREE EXPRESSION, THIS IT IS NOT TOTALLY ACCEPTED THEN IT IS IMPORTANT BUILD THEORETICAL PROJECTS AND TRANSCEND THE IDEA TO MAKE INTERESTING STRUCTURES AND ACHIEVE TRUE AND NEW STRATEGIES OF CONSTRUCTION.

MUSEUM GUGGENHEIM TAICHUNG

THE FORM OF THIS BUILDING IS COMPLETELY ORGANIC AND IN CONSTANT TRANSFORMATION OF THE SPACE. THE BUILDING EMERGES GRADUALLY OF THE LAND SHOWING A DYNAMIC AND FLOWING COMPOSITION. THEIR FORM ALLOWS THAT THE SPACE TO TRAVEL BE COMPLETELY DYNAMIC, ATTRACTIVE AND THAT IT BELIEVES AN ATMOSPHERE OF DISTRACTION.

FRANK GEHRY (1929- )

HE IS AN AMERICAN ARCHITECT, AND IS ONE OF THE MOST OUTSTANDING REPRESENTATIVES IN THE DECONSTRUCTIVISMO. IN THEIR COUNTRY THEIR PROJECTS STAND OUT THANKS TO THEIR DARING COMBINATIONS OF INDUSTRIAL MATERIALS, SUCH AS WOOD , WAVY IRONS OR YOU FENCE CARRIED OUT WITH METALLIC CLOTH. THEIR POETIC EXTREMIST HAS DERIVED IN THE DECADE OF 1980 TOWARD THE EMPLOYMENT IN SCULPTURAL WAYS.

WEISMAN ART MUSEUM BY FRANK GEHRY, 1993

THE DEANZANTE PREGA HOUSE BY FRANK GEHRY, REPRESENTS A WOMAN AND A MAN DANCING TOGETHER (GINGER ROGERS AND FRED ASTAIRE).

GUGGENHEIM MUSEUM OF BILBAO

IT HAS SOFT AND ROUNDED FORMS, THEIR FORM LIKENS THAT OF A SHIP WITH A BOOTH IN FORM OF ROSE, IN THIS PROJECT IS USED METAL, STONE AND WATER, IT IS COMPLETELY RECOVERED OF TITANIUM AND IT GIVES A CONTEMPORARY IMAGE BECOMING ONE OF THE BIGGEST ARCHITECTURAL ATTRACTIVENESS OF BILBAO.

DECONTRUCTIVISTAS ARCHITECTS

- Peter Eisenman

- Frank Gehry

- Zaha Hadid

- Coop Himmelb(l)au

- Rem Koolhaas

- Daniel Libeskind

- Bernard Tschumi

CONTEMPORARY ART

•THE ANALYTIC CUBISM: THE FORMS AND THE CONTENT ARE DIVIDED AND THEY ARE SIMULTANEOUSLY VIEWS FROM DIFFERENT PERSPECTIVES.
•THE MINIMALISMO: FOR THE DIFFERENCE OF THE CULTURAL REFERENCES.
•THE ABSTRACT EXPRESSIONISM: MOVING AWAY FROM THE FIGURATIVE WORK,IT HAS THE SAME SPIRIT OF THE REJECTION OF THE ORNAMENT FOR THE GEOMETRY.

CONSTRUCTIVISMO AND RUSSIAN FUTURISM

IT IS INSPIRED FOR TWO CURRENTS IN THEIR GRAPHIC ARTS AS IN THEIR VISIONARY ARCHITECTURE..
ARTISTS LIKE KAZIMIR MALEVICH INFLUENCED IN THE USE IN THE GEOMETRIC WAYS OF THE DECONSTRUCTIVISTA ARCHITECTURE.
AS MUCH THE DECONSTRUCTIVISMO AS THE CONSTRUCTIVISMO CONSIDERED THE RADICAL SIMPLICITY IN THE GEOMETRIC WAYS TO WEIGH OF THE GEOMETRIC IMBALANCE BUT EVEN SO THE PURISTIC TENDENCY OF THE CONSTRUCTIVISTAS WAS NOT SINCE OFTEN IN THE CONSTUCTIVISMO, BECAUSE THE FORM SUFFERS A DEFORMATION WHEN THE CONSTRUCTION IS DEFORMED.

DECONSTRUCTIVISTA PHILOSOPHY

THE MAIN ROAD OF THE PHILOSOPHY DECONSTRUCTIVISTA TO THE ARCHITECTURAL THEORY IS GIVEN TO INCLINATION OF THE BASED PHILOSOPHER'S CHECKS INFLUENCE IN PETER EISENMAN.
THEY WORRIED ABOUT THE “METAPHYSICS OF THE PRESENCE”, WHICH WAS THE MAIN OF THE DECONSTRUCTIVISTA PHILOSOPHY IN THE ARCHITECTURAL THEORY, UNDERSTOOD EACH OTHER THIS WAY TO THE ARCHITECTURE LIKE A LANGUAGE ABLE TO COMMUNICATE THE SENSE AND IT COULD BE TREATED THIS WAY BY THE METHODS OF THE PHILOSOPHY OF THE LANGUAGE AND THIS WAY TO PLAY WITH THE FLEXIBILITY OF THE NORMS.

ALSO, THEIR NOTIONS OF IT TRACES AND ERASED, EMBODIED IN THEIR PHILOSOPHY OF THE WRITING AND THE ARQUI-WRITING, THEY FOUND THEIR ROAD IN THE DECONSTRUCTIVISTAS SKETCHES

JACQUES DERRIDA (1930-2004 )

INFLUENCES

MODERNISM AND POSTMODERNISM

THE DECONSTRUCTIVISMO LOOKS FOR LIBERATE THE ARCHITECTURE OF THE MODERNIST RULES THAT THEY SUGGEST THAT “THE FORM CONTINUES TO THE FUNCTION” AND THE PURITY IN THE WAY. THAT IS TO SAY IT IS OPPOSED TO THE CONTROLLED RATIONALITY.
THE DECONSTRUCTIVISTAS GOES AGAINST THE ESTABLISHED ARCHITECTURE AND THEIR HISTORY, THEY SHOW THEIR DESIRE TO DISMANTLE THE ARCHITECTURE OF HISTORICAL REFERENCES, THEY ALSO REJECT THE IDEA OF THE ORNAMENT LIKE DECORATION. THE GEOMETRY WAS FOR THE DECONSTRUCTIVISTAS THAT THE ORNAMENT WAS FOR THE POSTMODERNISTAS.









AN EXAMPLE OF THE COMPLEXITY DECONSTRUCTIVISTA IS THE MUSEUM VITRA IN GERMANY, THAT TAKES THE TYPICAL WHITE CUBE WITHOUT ORNAMENTATION OF THE MODERNIST GALLERIES OF ART AND IT DEFORMS, USING COMPLEX GEOMETRIES THAT IT REMEMBER TO THE CUBISM AND THE ABSTRACT EXPRESSIONISM.

DECONSTRUCTIVISMO THE ARCHITECTURE IN IMPOSSIBLE WAYS

IT IS A CONTEMPORARY ARCHITECTURAL STYLE AND IT WAS BORN IN FINALS OF 1980, CELEBRATED DECONSTRUCTIVISTA IT ARISES IN THE EXHIBITION OF THE ARCHITECTURE FOR PHILIP JOHNSON AND PETER EISENMAN IN THE MODERN ART MUSEUM OF NEW YORK IN 1988.

CHARACTERISTICS

•FRAGMENTATION
•PROCESS OF NOT LINEAL DESIGN
• INTEREST FOR THE SURFACE MANIPULATION OF THE STRUCTURES IDEAS AND, APPARENTLY, OF THE GEOMETRY NON EUCLIDEA.
•THE END APPEARANCE VISUAL OF THE BUILDINGS IS CHARACTERIZED BY A STIMULATING IMPREDICIBILIDAD AND A CONTROLLED CHAOS.

THESE CHARACTERISTICS ARE USED TO DISTORT AND DISLOCATE SOME OF THE ELEMENTARY PRINCIPLES OF THE ARCHITECTURE LIKE THE STRUCTURE AND THE ENCIRCLING OF THE BUILDING.

THE DECONSTRUCTIVISMO GIVES AN IDEA OF INSECURITY. IT LEAVES IN A STANDARD FORM AND THEN “IT BREAKS”, IT ATTACKS IT FIERCELY TO DEFORM IT BASED ON THE ENGINEERING BASIC PROCEDURES. IT GIVES THE IDEA OF DISORDER IT IS WANTED TO CHANGE THE STANDARDIZED FORMS, AND IT ACHIEVE A SENSATION OF INSECURE VOLUME, A FREE FORM AND WITHOUT CONJECTURES. A FORM WITHOUT A LIMITS AND WITHOUT THE CONVENTIONAL LINE.

ONCE YOU HAVE REMOVED HIM THE FORM, YOU PROVIDE HIM A FUNCTION. “THE DISORDER IS LIFE.”